1. Eye Level: The camera is positioned at the subject's eye level. It creates a neutral perspective and is often used in dialogue scenes.
2. High Angle: The camera is positioned above the subject, looking down. It makes the subject appear smaller, weaker, or more vulnerable.
3. Low Angle: The camera is positioned below the subject, looking up. It makes the subject appear larger, more powerful, or intimidating.
4. Bird's Eye View: The camera is positioned directly overhead, looking straight down. It provides a unique perspective and can make the subject appear small or insignificant.
5. Worm's Eye View: The camera is positioned very low, looking up from the ground. It emphasizes height and power.
6. Dutch Angle (Tilted Angle): The camera is tilted to one side, creating a diagonal horizon line. It conveys unease, tension, or disorientation.
7. Over-the-Shoulder: The camera is positioned behind one character, over their shoulder, to show their point of view or interaction with another character.
8. Point of View (POV): The camera is positioned to show the scene from a character's perspective, immersing the audience in their experience.
9. Close-Up: The camera is positioned very close to the subject, filling the frame with their face or a specific detail. It emphasizes emotions and details.
10. Medium Close-Up: The camera captures the subject from the chest up. It's used for dialogue and emotional engagement.
11. Medium Shot: The camera captures the subject from the waist up. It's used for general interaction and dialogue.
12. Medium Long Shot: The camera captures the subject from the knees up. It provides a balance between the subject and their surroundings.
13. Long Shot (Wide Shot): The camera captures the subject from head to toe, including a significant portion of the surroundings. It establishes the scene and context.
14. Extreme Long Shot: The camera is positioned very far from the subject, capturing a wide view of the landscape or environment. It emphasizes scale and distance.
15. Two-Shot: The camera captures two characters within the same frame, often used for conversations or interactions.
16. Establishing Shot: A wide or long shot that sets up the context and location of a scene.
17. Master Shot: A continuous shot that captures the entire scene, often used as a reference during editing.
18. Cut-In: A close-up shot that focuses on a specific detail within the scene, such as a hand or object.
19. Cutaway: A shot that interrupts the main action to show related details or context, then returns to the main scene.
20. Tracking Shot: The camera moves along with the subject, following their movement within the scene.
21. Dolly Shot: The camera moves on a track or dolly, either towards or away from the subject.
22. Crane Shot: The camera is mounted on a crane or jib, allowing it to move vertically or horizontally in a smooth motion.
23. Handheld Shot: The camera is held by the operator, creating a shaky or dynamic feel.
24. Steadicam Shot: The camera is mounted on a stabilizing rig, allowing smooth movement without the shakiness of handheld shots.
25. Zoom Shot: The camera lens zooms in or out, changing the focal length and framing of the subject.
26. Rack Focus: The focus shifts from one subject to another within the same shot, guiding the audience's attention.
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